Résumé
From a sociological and diachronic perspective, the author analyzes the status of Magrebis in French society through the relevant mirror of film, from Ali Ghalem's "L'autre France" (1974) to Merzak Allouache's "Bab el-Oued City" (1993), through Malik Chibane's "Hexagone" (1994) and Yasmina Adi's "Ici on noie des Algérians" (2011).