Abstract
For several years, he specifications of cultural structures have called for a link between artistic proposal and mediation. Many artists redefine their work and their practice at the crossroads of these still too distinct poles from the point of view of public policies. The social dimension of culture is more topical than ever, as it contributes to the challenge of living together. In this context where cultural rights become essential, we choose a pragmatist approach to understand the forces at play. We report the deployment of projects where the different actors get off to a good start with a guideline that addresses the inhabitants through multiple collaborations and more the methodological DIY put in place. Seizing it can be a challenge with regard to the voluntarism in action at the edge of the framework of existing devices. This is the challenge taken up by the rhyzomatic project of the C(h)œur des femmes carried by Vanille Fiaux. As a starting point for our reflection within the research collective PACE (Publics-Artists-Creations-Expériences), the project has made it possible to highlight the various challenges of the artist’s emergence, of the invisible of his work and of the cultural rights at work.